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For creators

Everything from studio setup to closing your first commission.

This chapter assumes your creator application has just been approved. The first two sections are one-off setup you rarely revisit; from "Receiving requests" onward is the loop you repeat for every commission.

73 steps, plus 19 for exceptionsLast updated: 2026-09-05
Screenshots were taken in dark mode. The layout is identical in light mode — only the colours differ.

Before you open for commissions16 steps

These settings decide what clients see, and what an order looks like once it exists. Order flow and deposit percentage are locked in at the moment an order is created, so they are worth getting right before you open.

1Apply to become a creator

Submit the creator application and accept the creator terms. Once approved, a Creator Studio section appears in the sidebar — every setting below lives there.

2Choose your public page address

Set your custom address under Site Settings → Advanced. This string appears in every link you send clients, and it is the entry point to your commission form.

Changing the address breaks every link you have already sent out. Settle on one before you start promoting it.

3Get a link you can share directly

Commission Settings → Form Settings opens with a standalone /creator/your-slug/commission link and a copy button. It drops people straight into the form, without them having to find it on your profile first.

The same page controls the form’s intro copy, banner image and accent colour. Each commission type can also get a detail page — specs, samples and caveats on a full page — with its own link to share.

4Turn on your commission status

In Commission Settings → Commission Types, the very first card at the top is the open-for-commissions switch. It is off by default — when you first become a creator your public page tells visitors “Commissions are currently closed.”, and the commission form cannot be submitted.

Missing this step is the most common way a new shop fails to open, and the symptom is hard to spot yourself: nothing errors, your own dashboard looks fine, and only visitors see the closed notice. You finish the whole setup, share your link, and not a single application arrives — usually this switch is the reason. It is also the right control for pausing intake temporarily (travel, a deadline crunch, a full month) rather than taking the whole page down.

5Create your commission types

Add the work you take on under Commission Settings → Commission Types, with a name, price and description. This list is what clients choose from when they send a request. Give a price range rather than a single figure; it leaves room to negotiate later.

6Give a commission type its own detail page

Switching on the detail page in a commission type's edit dialog lets you write a full page about it: a rich editor supporting headings, lists and pull quotes, plus up to ten sample images. Once enabled, that card's button on your public page changes from Enquire to View details, and visitors read the page before deciding to apply.

You do not need one for every type. The ones worth writing are the offers you most want and that are most often misunderstood — spelling out what is included, what is not, and what you need from the client heads off a lot of repeated “how much is this” and “can I use it commercially”. Cheaper offers often convert better left on Enquire.

7Tailor the request form

Form Settings lets you add custom fields, so the things you always end up chasing (character sheets, references, intended use) get asked upfront.

More fields is not better. A long form scares off enquiries — start with the three to five you genuinely need and add more once you see what is actually missing.

8Put non-input guidance inside the form

Alongside input fields, the custom questions editor offers a field type called Info Block: it collects nothing, it simply displays content to whoever is filling in the form, with formatted text and lists. You can place it anywhere in the field order.

This is the best place for your terms. Rules written in the About section of your public page go unread by nine people in ten; a block sitting just above the submit button is unavoidable. In practice the three worth stating are the file retention window, that commercial licensing is quoted separately, and the kinds of work you do not take.

9Turn on the watermark

Commission Settings → Watermark. You can set the text, size, opacity, rotation and tiling, with a live preview beside it. Once it is on, images you attach to a review are composited in your own browser before they upload.

It is off by default, and the submit-for-review dialog has no toggle — this page is the only place to set it. Review images are meant to be seen by the client, so with the watermark off you are handing over usable artwork.

10Design your order flow

An order flow defines the stages an order passes through once it is confirmed. Stages come in two kinds: work stages, which you advance yourself, and review stages, which pause and wait for the client and carry a revision limit. The default template pairs a review stage with each of sketch, line art and final. You can create more than one template and mark one as your default.

Templates can be bound per commission type, chosen in the commission type's edit dialog. It is worth doing early: a detailed full-body piece may need three review rounds while a chibi icon needs one, and a shared flow either drags small jobs through six stages or robs large ones of checkpoints they should have.
When an order is created it takes a copy of the flow as it stands at that moment. Editing the template later does not reach back into existing orders, so the time to change it is when you have no work in progress.

11Set your deposit and payment details

Also under Form Settings: set the deposit percentage and your payment instructions. When an order is created the total is split into a deposit and a balance using this percentage.

The platform does not handle money — payment goes directly between you and the client. Spelling out the bank code, account number and account name saves a lot of back and forth.

12Set your booking capacity

The Commission Types tab lets you set a monthly intake limit and a cap on concurrent jobs, and your public page shows remaining capacity accordingly. Further down the same card are per-month overrides: you can set a specific month's allowance without touching your normal monthly default.

Per-month overrides exist for the real cases — a month abroad, a crunch on your day job. Set that month to zero and your public schedule says so honestly, without you having to close intake entirely and lose the enquiries for the months after it.
The limit is a signpost, not a gate. Once you are full the commission form still submits and the system does not block it — whether to take the job remains your call.

13Check your timezone

The first card in Workspace Settings is your timezone, defaulting to Taipei. It decides when a month begins for you — both the reset of your monthly intake allowance and the day boundaries in analytics read from it. Worth confirming if you are abroad or working across midnight; otherwise leave it alone.

14Check what your plan includes

The free plan carries 30 emails a month, Pro and Partner 300, VVIP unlimited. The number on the envelope icon is your remaining balance, and clicking through shows the send log and lets you resend. Note the allowance covers the whole studio, including the messages the system sends to your clients.

Live chat — the conversation panel under a quotation — is Pro and above. On the free plan your client still sees the chat button and can still send, but you will not receive it in real time; you have to reload. Also worth knowing: the only way to change plan today is by entering a redemption code on the Plans page. There is no purchase flow on the site, so do not go looking for a buy button.

15Turn on notifications

Workspace Settings covers browser push and Discord, while email preferences live under the Email notifications tab in Commission Settings — go through both. Many points in the commission flow wait on your response, and with notifications off the job stalls on your side.

The email notifications page does not only govern your own mail — about half of those switches control messages the system sends to your client, and each is labelled with its recipient. Turn those off and the client stops receiving quotation, review and completion notices. The review notice matters most: it carries the no-login review link, which is the easiest way for a client to respond, and disabling it means asking them to sign in every time. When your allowance runs out the system simply stops sending, with no warning to either side, so keep an eye on the balance as it gets low.

16Mobile push needs the site on your home screen

Workspace Settings → Notifications has a step-by-step card. On iOS you must open the site in Safari, Share → Add to Home Screen, and come back in through that icon before push can be enabled; on Android, use Install app from the browser menu.

The lower half of the same page is Discord: paste one webhook and new requests, payment reports and the rest land in a channel, switchable per event type. Most people in this line of work watch Discord, not email.

What visitors actually see14 steps

This section is about what a stranger sees when they land on your page. It has no bearing on whether you can take commissions — finish the commission settings and you are open for business. If you would rather land your first commission and come back to the storefront later, skip ahead to the next section; this one keeps.

1Look at your public page first

The Shortcuts group in the sidebar links straight to your public page. Top to bottom it runs: navigation bar (showing your site title), hero, About, portfolio, booking schedule, commission types, contact. The schedule and commission types come from the commission settings in the previous section — this section covers everything else, which is to say the storefront.

2Preview as you go — and the save bar that disappears

Every change in Site Settings lives only in your browser until you press save. A floating preview in the corner shows the whole page from a visitor's point of view without leaving the settings, and it reflects your unsaved edits — so you can look before you commit instead of flipping between tabs.

The save bar appears at the bottom of the screen only while you have unsaved changes. Put the other way round: if you cannot see that bar, there is nothing waiting to be saved. Make a round of edits and then switch tabs or close the page, and those edits vanish silently — nothing asks whether you meant to keep them. Check the bar is still there and press it before you navigate away.

3The three lines in your hero

Your site title appears in the navigation bar and the footer. The hero itself has three fields: title line one, title line two, and a subtitle. Any of them can be left blank, and the grip on the left lets you drag them into a different order — if you want the subtitle above the title as a kind of prefix, drag it to the top.

4Every line can be styled on its own

Each line carries its own row of controls: text colour, bold, italic, size (five steps), a gradient with your own start and end colours, plus the spacing below the line and its line height. The three About lines use the same toolbar.

That row looks decorative, but it is what stops the page looking like a template. The cheapest version: make title line one big and bold, give line two a gradient, and make the subtitle smaller in a quieter colour — three moves and you have a hierarchy. Leaving a colour blank means inherit from the theme, which is safer than guessing when you are unsure.

5One hero image, or a slideshow

Single mode takes one wide image (16:9 works best) plus an optional portrait image (9:16) for phones. Slideshow mode takes up to ten, again in separate desktop and mobile sets, drag-sortable, with a dwell time per slide (1 to 30 seconds) and a transition: fade, slide, zoom or blur.

The mobile image is not generated for you. If you supply only the wide one, phones crop that 16:9 image to portrait and the composition frequently falls apart — half your subject disappearing off the edge is the usual result. If the page matters to you, that mobile slot is worth a separately framed image.

6Light, dark, and text you cannot read

The default theme decides whether visitors first see the light or dark version of your page. Below the hero there are two more sliders: image opacity controls how strong the background image itself is, and overlay opacity controls how heavy the dark scrim over it is.

When hero text is hard to read, reach for the overlay slider before you change the text colour. Thicken the scrim and the text lifts off the image — and it keeps working when you swap in a brighter background later, which a hand-picked text colour does not. Colour is the last resort, not the first.

7About you

The About block has a display name and two paragraphs, drag-sortable, with the same styling toolbar. Beside it you can place a portrait or signature image. It is displayed as a circle, so use a square (1:1) source and keep anything important away from the corners.

8The background behind About

Three modes: gradient (you pick three colours), solid (one), or an image (16:9, with its own opacity slider). Below that a decorative icon can be switched on, with a choice of icon and colour, as an accent for the section.

9Add your work

Work lives under Portfolio in the sidebar. Each piece takes a title, category, tags, cover image and short description, plus a long description, a gallery and external links. Worth being clear about: the public grid shows only the cover, title and category — the long description, gallery and links appear once a visitor opens that piece.

The cover is the only thing shaping first impressions, so choose it deliberately — the best-composed crop often pulls more clicks than the finished piece in full. Once you pass six pieces the public page also grows a browse-by-tag entry point, so consistent tagging starts paying off. Switch on NSFW for anything sensitive: the public page blurs it and visitors have to opt in to see it.

10Pick a grid layout

At the top of the Portfolio page you choose how the public grid is arranged: masonry, square, landscape 16:9, portrait 3:4, or Feature + Grid (the first piece shown large above the rest). Each option has a thumbnail showing what it looks like, and your choice takes effect immediately.

11Organise with categories

Manage categories lets you add and remove them. These become the filter buttons above your public portfolio, so name them the way a visitor would think — people are looking for icons, full-body pieces or backgrounds, not your internal shorthand.

Removing a category does not remove the work in it. Those pieces become orphans, flagged as removed in your studio, and on the public page no filter button reaches them any more — visitors only see them under the all filter. Reassign them to another category before you remove one.

12Decide what visitors see first

Hovering a card reveals a drag handle, and the order you set here is the order on your public page. Put the work that represents you best — or the kind of job you most want to be asked for — at the front, because most visitors only look at the first few.

Dragging here behaves differently from the appearance settings: the new order saves the moment you let go, with no save bar and no confirmation. If you drop one in the wrong place, just drag it back.

14Appear in the featured creators on the home page

The Showcase tab in Site Settings lets you opt into the featured creators section on the Artisorto home page. Switching it on requires two things: a showcase avatar (square, displayed as a circle) and a short testimonial of up to 200 characters. It will not save with either one missing.

Being specific beats being polished — “I finally stopped tracking commissions in a spreadsheet” lands better than “a great platform”. The section rotates at random rather than ranking anyone, so opting in does not guarantee every visitor sees you, but it is the one slot on the home page you can claim for yourself.

Receiving requests8 steps

Once a request arrives you have three options: accept and quote in one go, accept now and quote later, or decline. This section covers how to decide and what follows each choice.

1Requests land in the Commission Center

Everything lives in the Commission Center, where the overview folds the request, the quote and the order into a single card so one commission's whole history sits in one place. The four figures at the top are total requests, orders in production, requests awaiting you, and completed orders — only the middle two are your current load.

2The five tabs beyond the overview

Alongside Overview the Commission Center has Requests, Quotations, Orders, Gantt and Calendar. The first three are single-lens views of the same data; the last two show you what the overview cannot — scheduling clashes are only visible on the Gantt.

Under three live commissions the overview is enough. Past that, the Gantt is the only place where "these two deadlines collide" is visible at a glance.

3Read the request properly

The card shows everything the client filled in, including any custom fields you added in Form Settings. Before quoting, check the brief is specific enough — vague briefs are the single most common source of disputes later. If it is thin, ask before you price it.

4Run a fraud check first

The origin badge only appears when a request came from outside Taiwan; no badge means domestic or unknown, not a badge that failed to render. "Show fraud prevention tips" opens the full checklist — worth reading in full before your first commission.

The platform does not handle payments. Money moves directly between you and the client, and the platform does not guarantee they will pay. Stop and verify if someone asks you to refund first, claims they overpaid and wants the difference back, or pushes to move the conversation off the platform straight away.

5Report a suspicious request

Every card has a report button, right next to decline. Pick a reason, attach evidence if you have it, and the platform takes it from there. Portfolio pieces, commission types and creators themselves can all be reported from public pages too.

6Remove applications you no longer want to see

In the Applications tab, each row has a Remove action on the right. After a while you accumulate test submissions and obvious harassment, and clearing them out makes the list readable again. Note it is not on the overview card, and there is no confirmation step — it takes effect the moment you click.

Removal cascades, and it cannot be undone. In a single transaction it marks every quotation and order under that application as deleted, and the client's card disappears from their side too — along with their buttons for reporting payment, tracking progress and reviewing your work — with no notification sent to them. There is currently no restore function. Never use it to tidy up a job that still has money outstanding or artwork undelivered.

7Accepting a request

There are two routes. "Accept & Create Quotation" opens the quote in the same step, so the client can read and respond immediately. "Accept, Quote Later" just marks the request accepted and leaves the quote for you to create from the card afterwards. Take the first unless the brief still needs a round of clarification.

8Slots fill when an order exists

Availability counts orders that actually exist, not requests you accepted — a quotation nobody has accepted yet takes up nothing. Being full does not stop new requests either; it only changes what your public page shows.

Quoting and negotiating7 steps

The quotation is what the commission rests on — the moment a client accepts, an order is created and the total is split into a deposit and a balance using your percentage. So anything that needs saying has to be said before you send it.

1Create the quotation

Use "Accept & Create Quotation" on the card. The client sees every field you fill in, and the notes field is where you spell out what the price does and does not cover — most later disputes trace back to that field being left empty.

2Set the amount and turnaround

Estimated completion takes a range, and you can count it either from quotation confirmation or from the deposit payment. The latter is usually the fairer choice — a client sitting on the deposit should not be eating into your schedule.

A range (say 14–21 days) is safer than a single figure. Clients tolerate "it might take 21" far better than "you said 14 and it slipped".

3Attach concept art and files

The Attachments field takes concept art and reference files; the client previews and downloads them from the signed link without signing in. It is the most effective way to make sure you both picture the same thing.

Commission attachments have a retention window and cannot be recovered once it passes. Both sides should keep their own copies — the platform is not an archive.

4Send the quotation

Once sent, the client is notified and the card moves to awaiting their response — that notification is sent automatically by the system, you need do nothing. Attachments in it travel on a no-login signed link, so the client does not need an account to open them.

Once a quotation is sent, the card keeps prompting “Quotation email not sent to customer”. Pressing it opens a send-method picker offering your mail client, Gmail, Outlook, Yahoo Mail and Handle Manually. The first few hand the prepared content to your own mailbox for you to send — this is not the system resending — which helps when the system mail never arrived, or when you want to add a private note. Choosing any of them is what stops the card nagging you, so even if you plan to tell the client some other way, pick Handle Manually to clear the prompt.

5Use the thread for details

Every quotation has its own thread. Everything that is not the price — references, style, delivery format — belongs there. Just remember to fold what you agree back into the quotation notes: the thread is not part of the quote, and only the quotation counts when the order is created.

6When the client counters

The negotiation switch lives on the quotation itself; the one in Commission Settings is only the default for new quotes, so you can open it for a single quotation. Once a client proposes a figure you can accept it, which creates the order at their number, or reject it, which requires a reason.

Rejecting a counter-offer locks negotiation on that quotation: the client is left with accept-at-your-price or walk away, and cannot counter again. If you want to keep room to move, revising and re-sending is a better move than rejecting.

7The client declined your quotation

A client can decline a quotation outright and leave a reason. The quotation becomes cancelled while the application itself stays accepted — the card's next action reads Re-quote, and you can revise and resend based on what they said. The cancellation note you see there is the client's reason for declining, not something you wrote.

This screen looks almost identical to the one you get after cancelling your own quotation; the only difference is who wrote the note. One thing worth knowing: once a quotation has existed under an application, the Reject application action no longer appears — your remaining exits are to re-quote or to remove the application entirely. If you would rather not take the job, say so in the chat instead of leaving it sitting there.

Closing the deal and getting paid7 steps

The moment a client accepts, the quotation becomes an order and the total splits into a deposit and a balance using your percentage. The platform never touches the money — collecting and verifying it is on you. This section covers each step.

1The client accepts

Accepting creates the order straight away, in "scheduled" state. The order copies your current flow template into itself and splits the amount by your deposit percentage — later setting changes never reach back into it.

An order existing does not mean you can start. The deposit has to land and you have to press "start production" before the flow actually moves.

2Ask for the deposit

The card breaks out the deposit and the balance. The payment details you filled in under Commission Settings are shown to the client automatically — you do not need to send them again.

3The client reports payment

After transferring, the client reports it in the system with the method, last five digits, transfer time and a receipt photo. "Customer notified payment" appears on your card — that is your cue to reconcile.

4Verify before you record it

"Verify deposit" shows what the client reported alongside their receipt, so you can check it against what actually landed in your account. If the figure differs you can record the amount you actually received.

Go by what your bank actually shows, never by the transfer screenshot alone. Forged transfer screenshots are a common tactic, and a screenshot is not a deposit.

5Record a payment yourself when the client does not

The payment section has three buttons: Record Deposit, Record Balance and Record Full Payment. They skip the "client reports, you verify" round trip and mark the money in directly — for cash, hand-offs, or a client who pays and never opens the system again.

This is a one-sided record with nothing from the client backing it up. Confirm the money actually landed in your bank before you press it, or you will have nothing to reconcile against when the numbers stop matching.

6The balance works the same way

The balance follows exactly the same path: the client reports, you verify, you record. Only the timing differs — the balance is usually collected once the final review has passed.

7You can always see where you stand

The card shows collected, outstanding and net revenue. Refunds and additional payments are folded in, so that figure is what this commission actually put in your pocket.

Production and reviews8 steps

The order walks through the stages from your flow template. You advance work stages yourself; review stages pause and wait for the client. This section covers what to do at each stop.

1Press start

Once the deposit has landed, press "Start work" on the card. The order moves from scheduled to in production and the first stage opens. This is also a good moment to set the expected completion date.

Get the deposit before you start. An order existing does not mean they have paid, and the platform will not stop you — that call is yours.

2Change the estimated completion date

A pencil sits beside the deadline on the order; clicking it lets you change the date or switch it back to undecided, in which case the card shows Scheduling. Every change is recorded, and the client’s card carries a history icon showing each revision.

Slipping a deadline is not the problem; not saying so is. Changing the date does not notify the client — the system only writes a history entry, and it lives behind an unlabelled clock icon on their card that nobody thinks to press. So say why in the chat whenever you move it. Otherwise they usually find out when the original date passes, and by then it is not only the schedule that has taken damage.

3Reading the stage list

The card lists every stage in this order and where you are. Review stages show their revision allowance — the free revisions you set in the flow template.

4Work stages: finish and move on

Work stages do not involve the client. When you are done, "Complete This Stage" moves you to the next one. If that next one is a review stage, it is your turn to upload.

5Review stages: submit your work

"Submit for Review" takes images, a message and a cloud link. With the watermark on, images are composited in your own browser before upload so the original never leaves your machine — with it off, the original goes up as it is.

The watermark is off by default and the submit dialog has no toggle — turn it on first under Commission Settings → Watermark. Once work is submitted it is in their hands; this is one of the few actions with no way back.

6Waiting on the client

After submitting, the stage sits at "waiting for client response". They can reply from their own commission page, or straight from the link in the email without signing in.

7A revision request arrives

Revision requests come with a reason and optionally annotated images. The card shows which revision this is and how many the stage allows.

8Responding to a revision

"Accept Revision" returns the stage to in-progress so you can rework and resubmit. "Decline Revision" turns it down with a note.

Declining marks the stage complete and advances to the next one — it does not hand the work back to you. That is irreversible, so if you decline, spell out why in the note.

Closing out3 steps

Once every stage is done, mark the order complete. This section also covers the three negotiations that come up most often before closing: changing the price, refunding, and cancelling — only one can be open at a time.

1The only check before completing

The confirmation dialog only flags unfinished stages — whether the money arrived is never checked, at any layer. Read the payment progress on the card yourself before you confirm.

Closing with the balance unpaid leaves you relying on goodwill. Completing the order does not close the client's payment path, so the money can still come in — but you no longer have anything to hold back.

2Mark it complete

The order moves to completed and the client is notified. The negotiation routes — adjustment, refund, cancellation — close with it, but payment reporting does not: an outstanding balance can still be settled.

3Files do not live forever

Work and attachments have a retention window, after which they cannot be recovered. When you close out, remind the client to save their files — and keep your own originals.

The platform is not file storage. Deletion at expiry is automatic, unannounced, and cannot be undone.

Looking at the numbers10 steps

Having taken a commission end to end, this section is about reading how the business is doing. Early on there is too little data to say anything — come back once a few jobs have accumulated and these figures start to mean something.

1The dashboard: your first look each day

Dashboard in the sidebar is the first page after signing in. Four cards show your project count, pending commission applications, traffic over the last month, and remaining email credits. Below them is the notification feed — who applied, who reported a payment, who requested a revision.

2The two rows at the top

Analytics opens with a 7 / 30 / 90 day switch. The first row of five cards is your current position: projects, pending commissions, active orders, completed orders, and visits in the period. The second row of four compares against the preceding period of the same length — pick 30 days and it compares with the 30 days before that, with an arrow and percentage for growth or decline.

The two rows are on different time scales, so do not read them as one. Projects, active and completed in the first row are current state — all time, and they do not change when you switch the range; only visits follows it. The second row follows the range throughout. Note also that when the previous period has no data at all you get “no prior data” rather than a percentage — growth from zero has no meaningful figure, and a blank is better than a flattering fake one.

3Realised and booked: read both

There are two revenue cards answering two different questions. Realised this period is the value of orders completed in this window, whenever they were placed — that is what actually came in. Booked this period is the value of orders created in this window, finished or not — that is how much work you took on.

The two rarely match, and they should not. Commissions run for weeks: a March booking is delivered and paid in May, so March is high on booked and May is high on realised, and both are true. Judge income by realised; judge intake and marketing by booked. The type breakdown and average order value below are both computed from realised, because that is the comparable figure.
If an amber note appears under Realised, it means some older orders carry no completion time — that field was added later, so anything finished before then cannot count toward realised revenue. The note states the proportion, and it disappears once coverage is complete.

4The funnel: where the flow stalls

The funnel comes in two halves. The upper half is before an application is sent: how many people viewed your page, opened a commission type, opened the form, and finally submitted. The lower half is after submitting: how many applications were accepted, how many quotations confirmed, how many orders completed. Conversion rate and drop-off appear between each step.

What matters is which step loses the most, and the two halves point at completely different fixes. Heavy loss in the upper half is a reach or storefront problem — people never got as far as the form, and no amount of re-pricing will help. In the lower half, a low acceptance rate is an application quality problem (your form is not asking enough, so the wrong jobs arrive); a low confirmation rate is a quotation problem (price or timeline landing far from expectations); only a low completion rate points at production itself.
The first three steps of the upper half are reported by the browser, so they can be inflated and can also under-count depending on visitor settings — read them as a trend, not exact figures. They also only cover visits since this feature went live; nothing earlier was recorded. The last step of the upper half, submitted applications, and the whole lower half are recorded server-side, and those figures are accurate.

5Which commission type actually pays

This doughnut splits realised revenue for the period across your commission types, with the total in the centre and average order value below. What matters is not which slice is biggest, but whether the slices line up with the time you spend.

The most common misread in freelancing is treating the type you take most often as the type that pays best. A full illustration worth forty percent of revenue but two weeks of work can lose to a bust worth ten percent that ships in three days. This chart gives you the numerator; take the denominator from the stage timings on the production rhythm card beside it. A type that is both slow and cheap is telling you to reprice it or retire it.
This uses realised revenue — orders completed in the period — so it is not the same figure as booked revenue above. A month in which you land several large commissions will not show up here until they are delivered, and the same applies to average order value.

6The trend chart: read direction, not days

Four series share one chart: visits, applications, orders and revenue. The granularity follows the range selector above, and the legend on the right lets you switch series off — leaving just two to compare is usually the clearest way to read it.

The most valuable way to read this is to check whether two lines move together. Visits up but applications flat is a problem with your page or your pricing copy, not with reach; applications up but orders flat points at your quotes or your response time. The two call for opposite responses, and a single line cannot tell them apart — which is why all four are drawn together rather than split into four charts.
The revenue series is plotted by completion date, not creation date, so it lags applications and orders — commissions run for weeks and that gap is expected, not a data error. Single days are also close to meaningless: one social post can spike visits for a day, so read several days of direction instead.

7Where visitors come from

This card breaks down the source of the first funnel step — people who viewed your public page — ordered high to low. Navigation within your own site (your home page through to the commission form) is grouped as an on-site link, recognised social platforms each get a row, and everything else falls under Other.

Direct is usually the largest slice, and that does not mean your social presence isn't working. Many sites simply do not disclose where a visitor came from, for privacy reasons, and bookmarks, typed URLs and taps from messaging apps all land here too. Read it as “could not be identified”, not “no source”, and do not use it to talk yourself out of the effort you put into social.

8Production rhythm: find where it slows

This card answers not what happened but where things slow down: average days from order to deposit, how long clients take to respond to a review, average time per stage, which orders are currently running longest, and how often revision limits are reached.

This is the most actionable card on the page. If a stage consistently drags, change your quoted estimate to match reality — setting expectations up front costs far less than explaining afterwards. A high revision-limit rate means your limits are too tight and both sides end up stuck in back-and-forth. And if clients are slow to respond, keep the review notification email switched on: the no-login link in it is the easiest way for them to reply.
This card is an all-time characteristic and does not follow the range selector above — it answers “how long does my line art stage usually take”, and that should not shrink because you switched to 7 days. Commission types without an order flow template produce no stage data, so those orders are excluded and the coverage is stated at the bottom. If the whole card says none of your orders have stage data, it means your commission types have no order flow set up yet.

9Customers: who comes back

The three badges at the top are all-time totals: customers, repeat clients and the repeat rate. The row below is this period — how many customers ordered, and how many of those were first-time versus returning. Further down is the spending ranking, with each client's order count, cumulative value and most recent commission.

Repeat rate is the single most useful number in freelancing. Winning a new client costs far more than keeping an existing one, and the few names at the top of that ranking usually account for most of your revenue — knowing who they are makes an end-of-year message worth more than any amount of exposure. The three badges marked all time do not follow the range selector; only the row beneath them does.

10Take the numbers with you

Next to the range selector is Export CSV, which saves the daily figures for the current range — applications, orders, revenue and visits — as a file.

Useful for tax, reconciliation, or charting it yourself. Note that the export always covers a window counted back from today — there is no way to ask for an earlier month — so keeping a full record means exporting once a quarter, because anything older than 90 days drops out of reach. The file carries a byte order mark, so opening it straight in Excel will not garble non-Latin text.